Sightseeing
around Wild Turtle eco-retreat
around Wild Turtle eco-retreat
Many of the delightful attractions in Asilah, Morocco are nestled within the historic medina walls. To kick off your exploration, venture into the medina. This area predominantly serves as a residential quarter and is bustling with artisans showcasing their crafts along the streets.
The bustling Mohammed Ben Abdellah Street serves as the primary shopping hub within the medina, lined with an array of enticing shops. Here, you'll find handicrafts, vibrant Moroccan carpets, postcards, souvenirs, jewelry, and traditional attire.
Immerse yourself in the iconic Asilah Arts Festival, where vibrant wall murals adorn the medina's walls. Each July, artists create these colorful masterpieces, complemented by murals crafted by local schoolchildren, enhancing the medina's picturesque allure.
Don't miss the traditional souk, held on Thursdays, offering an array of second hand goods and food.
Discover the Church of San Bartolome, a striking colonial Spanish church constructed by the Spanish Franciscans in 1925. Situated near Parc Mohamed Abed Al Jabri, it stands out amidst Asilah's white facades. Remarkably, it's one of the few churches in Morocco permitted to ring bells for Sunday Mass.
Indulge in the scenic beauty of the Corniche of Asilah, a charming waterfront promenade tracing the city's shoreline. Ideal for motorhome travelers, it offers convenient access to the medina. As the sun sets, the corniche transforms into a gathering point, offering views of the Atlantic Ocean and the west coast sunset.
The ramparts, integral to the fortified wall encircling the historic city, offer a glimpse into its defensive architecture.
Access to the medina is granted through four primary gates. Follow the signs leading to the entrance of the old town to begin your journey.
Bab al-Bahr Gate: Serving as the principal gateway, it opens up to the beach and port situated in the southwest.
Bab Al Homar Gate: Nestled in the northeast, this entrance is the main access point to the old town, with numerous cafes and eateries nearby.
Bab Al Kasbah Gate: Found to the west, this gate provides entry to the Kasbah quarter, home to remnants of an ancient fortified palace.
Bab Sidi Bouzid Gate: Positioned in the southeast, this gate stands close to the Sidi Bouzid mosque.
For panoramic views, head to the Caraquia viewpoint, nestled within the southwestern bastion. It's a popular spot, especially during sunset, providing stunning vistas of the ocean and port.
Constructed at the dawn of the 20th century by the infamous bandit Moulay Ahmed Raïssouli, the Palais de Raïssouli stands as a testament to both opulence and rebellion. This two-story edifice, now transformed into a cultural center, beckons visitors through the gates of the eastern rampart.
Sidi Mohamed ben Abdallah el-Raisuni, known as Raïssouli to some, or Raisuli to many Anglophones, was a chérif—a descendant of the Prophet Muhammad—whose name echoed through the mountainous landscapes of northwest Morocco. Revered by some as a hero challenging a repressive and corrupt government, and reviled by others as a mere brigand, Raisuni's legacy is as complex as the tales that surround him. Historian David S. Woolman paints a portrait of him as a blend of Robin Hood, feudal baron, and tyrannical outlaw—the last of the Barbary pirates.
Hardened by imprisonment, Raisuni returned to banditry with renewed fervor, fueled by resentment toward a sultan increasingly subservient to Western powers vying for influence in Morocco. From his fortified palace nestled in the coastal town of Assilah, Raisuni orchestrated audacious acts of piracy, seizing important officials for scandalous ransoms alongside his loyal band of followers.
Yet, fate's hand dealt Raisuni a fateful blow. In January 1925, Abdelkrim's forces stormed the walls of his palatial stronghold, leaving most of his guards slain and Raisuni himself captured. Rumors of his demise swirled, as they had done in years past, but this time, the once-feared bandit succumbed to a long-standing illness in April of the same year. Despite his controversial legacy, Raisuni endures in the annals of Moroccan history, his exploits blending with legend, leaving behind a complex and enduring legacy.
Further interest on the region of our beaches : Rehouna, Sidi M'Ghayet, its myths, great battles and mysteries
Rohuna was an extreme and inhospitable place, nearly inaccessible, devoid of water and light, yet also a solemn and unique landscape akin to Eden itself. Only the perseverance and dedicated work of a gardener like Umberto Pasti could accomplish the monumental task of building a garden of endangered species there.
Over the years, despite numerous challenges, paradise began to take shape, and Rohuna remains today the unique and irreplaceable place where that outsider, the "nazrani," found his home and family.
More information :
Visit the Garden of Rehouna
Contact : Simo Errami, communication manager
Phone : +212 6 60 31 85 62
Price : Donation wise ~200dh
The passion of Italian writer and botanist Umberto Pasti for the wild flora of Tangier and its surroundings led him to create his garden, Rohuna, on a rocky hill overlooking the ocean in northern Morocco. Over the past two decades, he has transplanted thousands of plants he collected there. With the help of a group of villagers, he created a garden that also serves as a living museum: it provides a hospitable environment for some of Morocco’s most beautiful and endangered plants.
Renowned photographer Ngoc Minh Ngo has captured the poetic beauty of this unique and exceptional place with its grand landscapes and verdant fields.
Book information
Published on 30/10/2019
Beaux livres • Genre : Jardin
240 pages - 227 x 290 mm
Felt in love with the village of Rohuna and its surroundings over twenty years ago, Umberto Pasti has transformed this remote corner in northern Morocco into a true Garden of Eden.
He has committed himself wholeheartedly to defending the diversity and splendor of the landscapes still preserved from relentless modernization.
A unique social and human adventure, this book is the result of an exemplary dialogue between a European free from prejudice and the inhabitants of a village with still ancient customs, who have joined forces against all odds.
Book information
Published on 22/05/2019
Novel • Genre : Foreign Litterature
320 pages - 145 x 219 mm
A small Moroccan farmer, known as Hercules for his exceptional strength, lived with his family on a small plot of land near a picturesque beach south of Tangier. They made a living from farming, fishing, raising livestock, and generating income from a beachside shack set up each summer. However, their idyllic life was shadowed by their recent neighbor, Patrick Guerrand-Hermès, heir to the French luxury group, who gradually acquired most of the surrounding lands for a large and mysterious real estate project.
Hercules's small plot of land became encircled by his neighbor's properties, yet he remained resolute in his decision not to sell his land. He faced ten years of legal disputes, intimidation, and even spent months in prison but refused to yield. Nevertheless, his father, exhausted from the prolonged struggle, seemed close to surrendering the fight.
Hercules passed away peacefully in 2023, holding firm to his stance despite the adversities he faced. His plot of land remained a testament to his determination. After his passing, Patrick Guerrand-Hermès sold the surrounding lands to new investors, ushering in a new chapter for the stunning beach south of Tangier.
In the heart of the rolling hills, where whispers of ancient tales mingle with the rustle of the wind, lies the enigmatic site of Msoura, known also as Mzoura or M'Zorah.
Here, amidst the rugged landscape, stands a circle of stone monoliths, their weathered forms standing sentinel around a towering tumulus, like guardians of a forgotten realm.
Located near the quaint village of Chouahed, some 15 kilometers southeast of Asilah, Msoura boasts a spectacle that defies the passage of time. A mesmerizing array of 167 monoliths encircle the tumulus, their stoic presence speaking volumes of a bygone era. Among them, the mighty El Uted, a monolith towering over 5 meters in height, stands as a testament to the colossal stature of ancient legends.
But it is not merely stone and earth that grace the land of Msoura; it is steeped in myth and mystery. Legend whispers that this sacred site is the final resting place of the fabled giant Antaeus, his tomb forever enshrined within the earth's embrace. Dating back to the 4th or 3rd century BC, Msoura offers a tantalizing glimpse into the dawn of the Kingdom of Mauretania, where history and myth intertwine in an eternal dance.
Lixus (Berber : ⵍⵓⴽⵓⵙ) is an ancient city founded by Phoenicians (8th–7th century BC) before the city of Carthage.
In the annals of time, nestled along the sun-kissed shores of the Mediterranean, lies the ancient city of Lixus, its origins shrouded in the mists of antiquity. Founded by Phoenician seafarers in the 8th–7th century BC, long before the rise of Carthage, Lixus stands as a testament to the enduring spirit of human civilization.
What sets Lixus apart is its remarkable continuity, a tapestry woven from threads of Phoenician, Punic, Mauretanian, Roman, and Islamic cultures, each leaving their indelible mark upon its storied streets. From the lofty spires of its citadel to the labyrinthine alleyways of its bustling markets, Lixus bears witness to millennia of history unfolding before its ancient walls.
Yet, beyond the realm of mortal ken, Lixus is steeped in myth and legend, a realm where gods and heroes once walked among mortals. The fabled Garden of the Hesperides, with its golden apples said to grant immortality, and the palace of the mighty Antaeus, stand as testaments to the city's mythical legacy. Here, Hercules himself is said to have braved the perils of the dragon-guarded garden, while Theseus confronted the dreaded Minotaur in the depths of the labyrinth.
As the sun sets over the horizon, casting its golden glow upon the ruins of Lixus, one cannot help but feel the weight of time pressing down upon its ancient stones. Yet, amidst the echoes of bygone eras and whispered tales of gods and heroes, the spirit of Lixus lives on, a beacon of history and fantasy intertwined for all eternity.
Perched on the rugged coastlines of Tangier, just 14 kilometers west of the city, the Caves of Hercules stand as a testament to both myth and history, a site steeped in legend and mystery. Adjacent to the summer palace of the King of Morocco, this popular tourist destination boasts two openings—one facing the sea, the other toward the land.
Dubbed "The Map of Africa," the sea opening is believed to have been shaped by the ancient Phoenicians, resembling the contours of the African continent when viewed from the waters. Inside, the cave reveals a blend of natural wonder and human endeavor, as Berber people once used its walls to fashion millstones from the stone wheels within, expanding the cave's confines.
Legend weaves a tapestry of myth around these ancient caverns. It is said that the cave was thought to be bottomless, one end of a subterranean ley tunnel stretching over 24 kilometers beneath the Strait of Gibraltar, emerging at St. Michael's Cave in Gibraltar—a passage through which Barbary macaques are said to have traveled from Morocco to the Rock of Gibraltar.
According to mythological tradition, the Greek hero Heracles—known to the Romans as Hercules—rested within these hallowed halls before embarking on his eleventh labor: retrieving the golden apples of the Hesperides Garden, said by some to lie nearby in Lixus. The tale speaks of Heracles' mighty feat of strength, splitting the mountains that once united the Atlantic Ocean and the Mediterranean Sea, thus forming the Strait of Gibraltar. Today, these mountains are known as the Pillars of Hercules, a symbol of ancient maritime exploration and the enduring power of myth.
To enjoy the artistic allure of Asilah's medina, the best approach is to meander through its narrow, paved pedestrian streets and allow yourself to get lost in its charm. As you wander, you'll first encounter vibrant murals that change annually, bringing fresh colors and themes to the historic walls. And, as you delve deeper, you'll come across quaint doors that open into artists' studios and workshops. These spaces showcase a range of artistic styles from both established and emerging artists. It's an exciting adventure to discover hidden gems and perhaps find a piece of art that speaks to you.Take your time as you explore these artists' spaces, and you may just find a rare pearl to take home as a memorable souvenir.
Located in the heart of the Medina of Asilah, Morocco, Aplanos Art Gallery has been a vibrant cultural hub since 1995, welcoming visitors year-round.
Our mission is twofold: to showcase the works of Moroccan artists and to present creations from European artists. In addition to contemporary art, the gallery specializes in original engravings dating from the 16th to the 19th century, offering a unique glimpse into the artistry of past eras.
Founded by Anne-Judith Van Look and Ahmed Benraadiya, Aplanos Gallery is listed in the "Dictionary of Contemporary Artists of Morocco." It's permanent exhibition features a diverse array of talented artists, including Ahmed Benraadiya, Anne-Judith Van Look, Charley Case, Khalil El Gharib, Mercedes Benito , Luc Van Malderen, Mina Maati, Hicham Eloutaghi, and Alexis Keunen.
Nestled amidst the quaint streets of the entirely pedestrian Medina, Aplanos Gallery invites you to explore and immerse yourself in the rich tapestry of artistic expression.
Hakim Ghailan, born in 1965 in Asilah, is a distinguished artist whose journey in the arts began at the School of Fine Arts in Tetouan. There, he delved into various printmaking techniques, including serigraphy, photogravure, and electrogravure, while also exploring furniture design and ceramics. Ghailan's commitment to artistic development led him to share his knowledge as a workshop leader at prestigious institutions such as the School of Fine Arts in Tetouan and the Royal College of Art in London. In 1995, he co-founded the artistic collective "Les Quatre Caractères" and later established the Stamp-art workshop in Asilah, fostering collaboration and creativity within the local art scene.
In 2002, Ghailan further expanded his artistic influence by founding the HAKIM printmaking studio and gallery in Asilah, providing a dedicated space for printmaking and serigraphy. Throughout his career, he has been actively involved in organizing cultural events across Morocco, contributing to the vibrant cultural tapestry of the region. Today, Hakim Ghailan continues to reside and work in Asilah, creating captivating artworks that reflect his profound connection to his hometown's artistic heritage and his enduring passion for printmaking.
Sadik Haddari is a renowned calligraphy artist based in Asilah, known for his approachable demeanor and profound love for calligraphy. Born on December 6, 1962, in Oued-zem, Morocco, he developed a passion for art at a young age and pursued studies in visual arts. Through extensive travel and exploration, he honed his skills and gained a deeper understanding of the art of calligraphy, enriching his connection with this ancient craft.
Haddari's artistic journey took him beyond Morocco, with his first international participation in 1985 at the International Meeting of Young Artists in Piles, Valencia. Despite his diverse artistic endeavors, including creating posters, brochures, greeting cards, banners, and advertising panels, his dedication to calligraphy remained unwavering.
In 2007, Haddari fully devoted himself to his passion for calligraphy. Since 2010, he has divided his time between Morocco and Europe, where he conducts classes, workshops, and seminars for both children and adults. Additionally, he leads discussions and roundtable sessions on topics related to Arabic calligraphy and graphic design, showcasing his commitment to sharing his expertise and fostering a deeper appreciation for this timeless art form.